Looking closely at one of Impressionismsfinest painters, Edgar Degas, Waldemar reveals how he consistentlychallenged traditions and strove to record real life as it appeared inthe city, from sculpting the contorted movements of horses in motion atthe Longchamp race course in Paris to encapsulating extravagant 3Dviewpoints of the ballet dancers at the Paris Opera. Waldemar alsouncovers the intoxicating haziness the pastel produced in Degas workwhen visiting his supplier Pastels de Roche. He also reveals the unusualviewpoints and dramatic perspectives of Caillebottes paintings fromthe Place de LEurope and the rebellious and revolutionary art ofMorisot, Bracquemond and Cassatt, three impressive female artists whowere eagerly embraced by the progressive movement of Impressionism.