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    : Digital Tutors Advanced Compositing Workflows with Maya and AutoDesk Toxik 2010 DVD
    Digital Tutors Advanced Compositing Workflows with Maya and AutoDesk Toxik 2010 DVD
    Digital Tutors Advanced Compositing Workflows with Maya and AutoDesk Toxik 2010 DVD
    Video Training | 661 MB

    In this series of lessons, we will learn the process of rendering your Maya scene into multiple passes, and using some advanced techniques for compositing these passes using Toxik. We will dedicate the first portion of this course to using Render Passes in Maya to separate various elements of our scene at render time. We'll use mental ray's render passes, contribution maps, custom framebuffers, and render layers to create the necessary render passes for our scene. In the second portion of this course we will begin with some quick compositing similar to our Compositing 3D Renders in Toxik course, but we will quickly get into more advanced topics such as Depth-of-Field, working with HDR, Depth-based compositing and spot paint fixing.
    Contents:
    1. Introduction and Project Overview
    3. Creating Contribution Maps for multi-pass rendering
    5. Using Custom Color Buffers to render specialized passes
    7. Using a Display Modifier and Proxy Scale to view HDR images
    9. Color Correcting various passes with the CC_Basics tool
    11. Using the Set Alpha node to Cutout the ant
    13. Using Groups to organize our Schematic window
    15. Adding and Extending an Alpha to fix edge issues
    17. Adding Depth-of-Field to the background
    19. Using the Paint tool to fix issues in the Depth Pass
    21. Using Set Alpha and Comp Alpha to create Color and Depth nodes
    23. Painting in the Body Leg Color and Depth using Cloning
    25. Adding Radial Aberration to our image
    2. Preparing Maya scene for multi-pass rendering
    4. Setting up render passes in mental ray
    6. Creating new Render Layers and using Layer Overrides
    8. Using Blend and Comps to composite 3D Render Passes
    10. Using Streams to composite the ambient occlusion
    12. Creating a Lightwrap to tie the Foreground to the Background
    14. Setting up a Basic Depth-of-Field effect using the Depth pass
    16. Color Correcting the Depth passes to get more DOF
    18. Fixing common HDR issues with Clamp Color
    20. Using an Out of Range node to separate the antennae
    22. Compositing the head and body with Control Edge
    24. Painting the Antenna to fix color bleeding
    26. Adding and Tweaking Grain for that final level of detail

    Release Info:
    Rls Date : 18/05/10
    Type : Bookware
    Disks : 1 CD

    INSTALLATION
    a. Extract
    b. Mount/Burn
    c. Play & Learn

    Digital Tutors Advanced Compositing Workflows with Maya and AutoDesk Toxik 2010 DVD

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